Beginning the Afro-Cuban Groove Thang
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I really know that learning about how to play Afro-Caribbean on the drum set can help you become a better musician. The command and control, the interdependence you can achieve, how you can learn to groove, it all works!
Here’s how we start, with the rumba clave. This pattern is the backbone of many Afro-Cuban rhythms.
The palitos pattern is found in the rhythm of rumba. My suggestion is to listen, listen, listen to this music. If you would like some information about which CDs to purchase, please be in touch with me. Here’s one palitos pattern with bass drum. The circled right hand is played a little softer than the other notes.
Now, pailtos pattern #2. Notice the hand pattern. We’re still in the 3-2 clave direction and even though we’re not playing the clave, it’s rhythm is still embedded in the pattern.
Here you’ll also find the cáscara pattern with the rumba clave. Notice how the cáscara pattern sounds just like palitos pattern #2. Notice the accent pattern. It’s very important for the feel of this groove. Take your time. The best thing to do is work on the independence then play with some music. (I used to practice my “latin” grooves with James Brown songs, playing along with JB blastng in the headphones!)
The left hand plays an important part, other then just playing the clave. Here are two common patterns with which to begin. These patterns are played on the hembra (low drum) of the timbales. You can play it between snare cross stick and tom.
Lastly, let’s begin to look at soloing with the hand which is not playing cáscara. Here are three patterns which can really help you achieve this goal. I learned them from Changuito, Master Drummer from Cuba.
You’ll find that these patterns will challenge you greatly. But, I can tell you from my experiences as a performer and educator, these and many other Afro-Caribbean grooves really make you better!!!
