From Uruguay - Candombe
Some of
the first music that I listened to, with a "latin" groove,
was music from Uruguay, called candombe. A great band from Uruguay,
called Opa, was my influence. These great musicians, including
the wonderful and funky Osvaldo "Jorge" Fattoruso on
drums, released two albums, GoldenWings and Magic Time. They also
appear on the Airto Moreira recording, Fingers. Find these recording
and ingest them!
Let me tell
you, I know what I know just from listening to this music. I've
not yet been to Uruguay. Someday!!
Candombe
has the clave! This pattern is called madera. There are several
madera patterns. I called Osvaldo Fattoruso in Montevideo, Uruguay,
sjust to make sure I was disseminating the correct information!
Here is the
clave (madera #1) with another madera pattern.
Listen to
the pattern here.
You'll need the Real Audio Player for these sound files. Downolad
it at RealMedia.
Now, we look
at and listen to the drum called the "chico". As with
other drum cultures, there are three drums in the family that
plays candombe. The chico is the smallest drum. It's pattern is
definitely different. You'll notice an accent over the first 16th
note. This really "masks" the downbeats, creating a
lot of tension and a great groove.

Listen to
the pattern here.
The "piano"
is the name for the largest drum of the family. There are many
patterns for this and the other drums and madera. Here are three
patterns.



Real Audio
is here!
And now,
we put the patterns together on the drumset. After I sent this
file to my friend Juan Médica in Montevideo, he informed
me that it's more common to hear the drumset playing alone, and
not with all the percussion. Well, excuuuuuuse
me!! Hope you enjoy it!

Check out
the Real Audio files here!
The drum
which has not been transcribed is called the "repique"
It's the solo drum. I'm learning more about this drum and I'll
put up some solo ideas and practical applications within the next
months.
YOUR ASSIGNMENT
I would like
for you to practice these ideas and begin to think about ways
to apply them to your playing. I've come up with some very useful
ideas that work very well as grooves. I'll be posting them here.
Thanks once
again for visiting my lessons page, and for checking out the website.
If I can be of any help to you, please drop me an email.
And don't forget to check out the books, CDs, and videos available
here. Thanks!
If you enjoy
these lessons, and develop your own grooves, please share them with
us! You can mail me your applications of these lessons to:
Chuck Silverman
P.O. Box 572962
Tarzana, CA 91357-2962
USA
Fax 818.609.9694
Back to Top
|